Preparing Portfolios for Landscape Architects
Different Types of Portfolios
Presentation Portfolio
In-class examples
Mailable portfolio
Bound for you: blurb.com and apple ilife
Text should be focused, concise, and clear with no extraneous information. This elevator pitch is an example of how to hone your narrative.
On-line
Martin - a work in progress
Schuyler -adapted from Martin's template
Photographer's
Writing Project Descriptions
An in-depth look at highlighting your accomplishments.
Putting Together Your Portfolio
Content
Which projects will you include in your portfolio? Are you
- highlighting your range?
- focusing on projects that dovetail with the work of the firm?
- focusing on the kind of work you want to do?
Rhythm
Start and finish strong.
Include a few process pieces but keep explanations concise.
Consider flexibility -- you may want to tailor the portfolio to each interview.
Text
Use the same tense and style conventions throughout the portfolio.
Do not invent words or new meanings for existing words.
Plan for 3 rounds of revisions.
Avoid Martin and Michele's pet peeves.
- Resources include
- The Writer's Workshop
- Michele Plante: mplante@illinois.edu . E-mail to set up an appointment.
Images
Resolution: Print: 300dpi tiff | Web: 96 or 72 dpi gif for line art, jpg for photos. If you're not completely done editing a photo, do not save it as a jpg, image quality will suffer.
Whenever possible, don't crop images too tightly in Photoshop, leave that for InDesign.
Design
Consistency is key. Follow the example of a book.
Spreads
In-class example
The Grid
Start the text and images in the same place on each page. This makes viewing the portfolio easier on the audience. It's distracting to have to figure out where to focus every time you turn the page.
In-class examples
Column widths and image widths and heights should align with your grid.
Thirds - in-class examples
Multiples - in-class examples
Typography
If you have no training in typography, keep it VERY simple.
Think of a block of text as another image. When designing the page, start with a grey box the same shape and size and the text. This will help you treat it as a design element instead of focusing on the content.
Stick to one "display face" and one face for "body copy." It usually works to select one serif and one sans-serif.
Keep sizes proportional. Example - keep everything a multiple of two and make the display face 3 times the size of the type used for copy.
- text: 10 point type
- subheads: 12 point type
- heads: 16 point type
- display face: 30 point type
Do not use justified type. Stick to rag right for body copy
When aligning display type, use the baseline for alignment.
Line-length: stay under 80 characters. 66 is considered "ideal."
Images
Images should have same proportions, same intensity of color, and same quality
Software
Do not use Photoshop. Use page layout software.
Timeline
Start now
In-Class Critique
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